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Words Beats Life Bum Rush the Boards Hip Hop Chess Festival

The world of chess can often be an exclusionary place for people of color and female players, but Mazi Mutafa, executive director of Words Beats & Life (WBL) wants to change that – one tournament at a time.

WBL, a national hip-hop arts education nonprofit, will present its seventh annual Bum Rush the Boards Chess Tournament on April 21, 10 a.m.-4 p.m. at the Columbia Heights Recreation Center in Northwest Washington, D.C.

“Words Beats & Life created this one-day hip-hop chess tournament in 2005 to promote strategic thought and actions within the hip-hop and chess communities,” says Mutafa, who has seen the tournament attract chess clubs and players from across the nation.

Words Beats Life Bum Rush the Boards Hip Hop Chess Festival

The award-winning, D.C.-based nonprofit also realized the exclusion taking place within the broader chess community.

“We noticed three years ago that many chess clubs would come to our tournament, which was often on the same day as some other pretty big tournaments in the chess community because as black or brown players, they didn’t feel as welcome,” Mutafa says. “We want to make sure African-American, Latino, women, girls and other underrepresented people have the opportunity to excel in the game of chess.”

There is a logical connection between chess and hip-hop, Mutafa says. “Hip-hop culture is highly competitive by nature,” he says. “It is replete with opportunities to battle and to compete in order to win over crowds, crews and sponsors. By connecting hip-hop to chess, WBL has created a chess tournament that exposes youth to the arts and strategies that requires them to think ahead, to manage talent and to size up their competition.”

Chess references also can be found broadly in rap music. Public Enemy, EPMD, TI, Jay-Z and members of Wu-Tang Clan have used chess references in a number of their rap lyrics. Wu-Tang member dedicated his whole 2005 album Grandmasters to the “ultimate board game.” “Those rappers’ ability to merge the strategies and principles of chess opened the minds of a whole generation to new strategies
for success,” Mutafa says. “It is our intention that this festival will continue that legacy.”

This year’s tournament will be a part of a larger Bum Rush the Boards Festival that runs April 19-22 – complete with a Beats and Blogs happy hour and Philanthrobeat fundraising party on Thursday, A Clash of the Kings concert on Friday, the actual tournament on Saturday and the Top Notch break-dancing battle that continues the hip-hop flavor throughout the weekend of festivities.

Registration, which will remain open until April 19, is $10 and covers lunch, a t-shirt and prizes for tournament participants. For more ticket information about festival events, visit the Words, Beats and Life website.

For ticket and registration information, visit the Bum Rush the Boards website.

SCHEDULE

Words Beats Life Bum Rush the Boards Hip Hop Chess Festival - flierAPRIL 19
Beats and Blogs: Happy Hour
6-8 p.m., LIV, 2001 11th Street N.W.
$10 General Admission; $7 if wearing Beats by Dre
headphones
Philanthrobeat: The Wu-Tang Edition
8 p.m.-midnight, LIV 2001 11th Street N.W.
$10 Admission

APRIL 20
Clash of the Kings Concert
7-11 p.m., St. Stephens, 1525 Newton St. N.W.
$10 Admission

APRIL 21
Bum Rush the Boards Chess Tournament
10 a.m.-4 p.m., Columbia Heights Recreation Center,
1480 Girard St. N.W.
$10 Registration Fee
Register before April 19

APRIL 22
Top Notch: 2 vs. 2 B-Boys/Girls Battle
4-10 p.m., The Atlas Theatre, 1333 H St. N.E.
$3,500 in prizes available

ABOUT WORDS BEATS LIFE

For the last decade Words Beats & Life (WBL) has consistently pushed the envelope of what hip-hop culture can do by teaching, convening and presenting the art of hip hop.

Since its founding in 2002, WBL has created the world’s first hip-hop chess tournament and publishes the premiere peer-reviewed academic global journal of hip-hop culture.

Words Beats Life logoBut the organization goes far beyond that. “WBL is about developing and promoting educational approaches that excite young people about their futures as national and global citizens and the responsibility that comes with each,” says Mazi Mutafa, executive director of the award-winning hip-hop arts education nonprofit. In its quest to transform individual lives and whole communities through elements of hip-hop culture, WBL offers two signature programs – the Urban Arts Academy and The Cipher.

The Urban Arts Academy serves 150 students, up to 300 during the summer, at its five Urban Arts Academy locations throughout the D.C. area. Youth ages 5-23 participate in the prevocational arts program, where they learn breakdancing, graffiti art and how to produce musical beats.

“The arts educators and performers that WBL promotes and works with are artists and educators who never give up on our youth and are working through hip hop to promote a better appreciation and understanding of community,” Mutafa says.

The Cipher is a growing local and national network of resources for hip-hop based organizations. This year, The Cipher will host its annual teach-in, Remixing the Art of Social Change: A Hip-Hop Approach in D.C., Chicago and San Francisco. The D.C.-based nonprofit also has been selected as lead arts consultant for MuralsDC, Washington’s official graffiti abatement program.

“WBL is a leader in a field of arts educators using hip-hop culture to promote social change and its influence on art, academics and politics,” Mutafa says. “We want to continue to build on those strengths for a better sense of unity locally, nationally and worldwide.”

Words Beats and Live (WBL) is a national, award-winning Washington-based nonprofit dedicated to the teaching, convening and presenting of hip-hop culture. Teaching. Convening. Presenting. Hip Hop

 
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Have you seen this poster around DC lately? It’s looks to be of Artuaré and Conversations in the Contemporary, through April 29 at the Anacostia Community Museum.

As it turns out, a few of our recent photos from around DC (unrelated to the exhibit) might strike on some common fears, further below.

image

Smithsonian writes:

On view are two installations in the 2nd part of the exhibition seriesCall and Response: Creativity and Community: 

  • In Artuaré Steven M. Cumming presents multilayered installations that take on the power of visual representation and show how images can shape our ideas of who we are.
  • In Conversations in the Contemporary, CreativeJunkfood presents a video installation featuring animation, spoken word, and music that explores personal identity in the political, social, and cultural environment.

Call and Response: Creativity and Community is a multipart exhibition that explores artists and their visions as they draw upon the cultural expression found in schools, churches, community organizations, and other venues in the public sphere.

image image image

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Got great photos of graffiti + street art in Washington, DC?

We’re collecting photos of graffiti + street art in Washington DC to catalog the influence of cultural arts in the media, marketing, community + politics of our Nation’s capitol.

Submit Photos: Upload graffiti + street art photos to the MixedMediaDistrict Flickr Group.

 
Fridge-Mural-900x350

As part of the exhibit ‘Above The Radar II,’ The Fridge and Albus Calvus teamed up on a workshop this past weekend  to teach elements of graffiti style and technique. Two ‘crews’ worked with pros to sketch out the lettering, characters, and colors to create their own murals.

Above The Radar II is on display at The Fridge thru December 3. More details below.

Fridge Mural 1 - small

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Thanks to TransitDC for submitting these photos to our reader shots series a while back! Have you seen an Einstein, tiger, or boombox around the city lately? Keep an eye out for these …

Transit DC Graffiti 3

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Legal G40 Mural Removed by City After One Day

Earlier this summer, before Art Whino’s G40 at Vitamin Water Uncapped Live in early May, an unusual scene was happening at the corner of 14th + Florida Ave. NW: legal graffiti writing, in daylight, out in the open.

washington dc graffiti mixed media district g40 14th florida ave nw CON REI21 JAZI

Above: writers work on murals at the corner of 14th + Florida Ave., DC.

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Special thanks to readers MA + TD for these nice submissions to our ongoing Reader Shots series. This week includes a look at work from the G40, Garfield Park in SW DC, and Blagden Alley in Shaw, NW.

Video by MikaAltskan

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Matt Dunn

Above: Gordon Parks 14th Street, by Matt.Dunn

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The DC Department of Public Works (DPW) is searching for mural sites in all DC Wards to be considered for the MuralsDC program from June-August 2011. MuralsDC is a partnership between DPW and the DC Commission on the Arts and Humanities (DCCAH) – created to help replace illegal graffiti with artistic works, to revitalize the DC community, and engage DC youth.

MuralsDC DCCAH DC DPW Adams Morgan

There are currently 27 MuralsDC projects throughout the District. Each tell a unique story of DC’s diverse neighborhoods while deterring further illegal graffiti. DPW and DCCAH will focus on sites that are frequent targets of graffiti.

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It’s exciting to find a fresh new mural in DC, like this one we stumbled on while walking around the city last week. A friend says “the pieces were done for 368 music group artist Da Phuture for his single Stupid Dope Moves, as a custom paint job by Art Under Pressure. Also featured in the picture is “2″ by Cave and “Dali” by SLR.”

Phuture Dro Boiz Stupid Dope Moves Mural Washington DC Graffiti

It’s rare to find a mural that’s so bright, clean and spacious. Writers and crews often fit as much as possible onto available wall space, even spilling over like you see on the pavement at the bottom of “Moves”. Graffiti style in general tends to be wild and crazy. It’s cool to see the contrast of clean wall space and color that allows the styles in the lettering and character to really come through on the mural.

Below, the music video the mural was produced for. Note, lyrics NSFW:

 

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STRANGER CREW Washington DC graffiti advertising

Seen these faces around DC lately? Look up next time you’re near Adams Morgan. STRANGER Crew added these pics to the MixedMediaDistrict Flickr pool to be featured in our Reader Shots series.

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Only weeks ago, we were warned of an imminent, global cultural tipping-point: that we, as a human race, are on the cusp of true belief in alien life. And that’s when it happened. Extraterrestrial graffiti started popping up all over DC.

Above: a message. And a preview of what’s to come.

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Happy Valentines Day - DECOY
DECOY reminds us it’s ok to spend V-Day any place you find yourself – even if it’s written in the gutter. Stay in school. Thanks to reader AW for sending the pics featured in Reader Shots #4.
Got photos of graffiti + advertising in Washington DC? Send us your pics!

We’re collecting photos of graffiti + advertising in Washington DC to catalog the influence of cultural arts in the media, marketing, community + politics of America’s Capital city.

Find + share more Reader Shots at: http://www.flickr.com/groups/mixedmediadistrict/

 

A series of wheat-pasted posters appeared this week in DC’s historic U Street neighborhood to mark Martin Luther King, Jr. Day – under the banner of non-violence and “revolutionary spirit”.

MLK Posters @ Busboys + Poets on 14th + V St. NW DC

The posters read: “Our only hope today lies in our ability to recapture the revolutionary spirit … declaring eternal hostility to poverty, racism, and militarism.”

The work appears in mid-town’s U Street Corridor, historically known for both turmoil and triumph. “The intersection of 14th Street and U Street was the epicenter of violence and destruction during the 1968 Washington, D.C. riots” (Wikipedia) – and the site of spontaneous celebration 40 years later on the election night of President Barack Obama.

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“MR. OBAMA, WE NEED’E’ JOBS” – write OLHA + STEF in a message to President Obama on the DC Metro Orange line. In context, there’s a strangely hysterical irony here that both the left + right side of the political aisle can back: People need jobs!


Got a great photo of graffiti + advertising in Washington DC? Send us your pics!

We’re collecting photos of graffiti + advertising in Washington DC to catalog the influence of cultural arts in the media, marketing, community + politics of America’s Capital. Our second week features some great shots thanks to readers JS + HH.

Find + share more Reader Shots at: http://www.flickr.com/groups/mixedmediadistrict/

 

We’re collecting photos of graffiti + advertising in Washington DC to catalog the influence of cultural arts in the media, marketing, community + politics of America’s Capital. Our first week features some great shots thanks to readers A.W. and Flickr user hch0007.

Got a shot for Reader Pics? Click here to submit your photos!


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Our favorite DC graffiti + advertising mobile photos from 2010:

  

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See the full photo set on Flickr.

reality

140 charachters 140 charachters 140 charachters

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Riverfront Fest

Riverfront Fest hits the District this Saturday, October 9th — with a lineup featuring the No Kings Collective b-boy + break-dance battle, art by The Fridge + Art Whino, and event sponsorship by the ReadySetDC crew.

I’ve got 10 free tickets! First 5 people to LIKE, TWEET or COMMENT … go!

 

Art202 Higher NSF

Higher Stars’ mural and music video are featured in August’s DCCAH Art(202) Journal, with a great story of the project’s production. Start to finish, the work was completed, amazingly, in under 12 hours — with a live show at Bohemian Caverns to boot.

 

You gotta love a house party with a handbill. Radio CPR Presents: High Voltage, with DJ sets by PreColumbian, DC Anthology and Detroit Cupcake Collective. Radio CPR 97.5 fm is a community powered volunteer-run radio station based in Mt. Pleasant, DC. Listen on the radio anytime, or tonight in Columbia Heights.

 

Kelly Towles recently created Scout at 12th + W St. NW, shortly followed by a video of the installation produced by Sebastien Tobler. Provided by the artist, ReadySetDC writes “[t]he mural and short film explore a DC neighborhood with a child like sense of exploration. A quick take on what most people should do in their own area of the city. Enjoy!”

'Scout" by Kelly Towles

Watch video: SCOUT from Kelly Towles on Vimeo.

 

Street artists have stepped up recently in the campaign to get DC a vote. Albus Cavus teamed up with DC Vote for the Give Me A Vote campaign, DECOY is in the mix, and hands by GAIA are all over town. Help Dc get a vote! Check out http://www.dcvote.org

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Seen this poster pasted around DC recently? The image has cropped up all over the city in the past few weeks, with the quote:

“Every gun that is made, every warship launched, every rocked fired signifies in the final sense a theft from those who hunger and are not fed, those who are cold and not clothed”

— President Dwight Eisenhower

Refugee + Eisenhower Quote

The poster brings us back to the real meaning of “innocent bystanders” in Heineken’s coy ad pitch – and illustrates yet again the influence of art in media. That influence, of art and counterculture in mainstream marketing, is what sparked our new Ad/Remix series for eSocialMediaShop.

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Saturday, June 5

Washington City Paper’s 2010 Best New Galley
2 blocks from Eastern Market Metro

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Hosted by Asad ULTRA Walker

 

Inspiration Exhibition opened at American University’s Katzen Museum May 8 + runs to June 6th.

Details, show info, and Facebook like buttons are on the Inspiration Exhibition Facebook Page. Favorites by DECOY, and Juan Pineda, are below – but of course they can’t beat a visit to the exhibit. More pics are posted on Flickr.

DECOY:relax

DECOY: relax, 2010

Juan Pineda,2010

Juan Pineda, 2010

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Graffiti draws a remarkable counterpart to marketing and advertising. Memorable street campaigns take the same creativity, consistency, branding and visibility needed to make marketing work.

DC Graffiti

Street artists are marketers gone rogue (also a popular theme of the year) – developing and executing creative concepts, many with a specific and often populist tone. Like it or not, the closer you look, the more of a message there is to see in the details of graffiti.

Four Mile Run Bridge 2

Practice Wall 4

Four Mile Run Bridge

Practice Wall 2

Practice Wall 3

DC represented big in 2009, and themes in our graffiti and street art reflected important, meaningful local issues: problems of homelessness, DC’s non-state status, and few (but expanding) outlets for public art. Check out a full photo set of the year in DC graffiti on Flickr.

These are the freshest names and stand out styles in DC graffiti:

Names Up Everywhere:

JAKE

JAKE1

CHE

CHE1 CHE2 CHE+JAKE+Chinatown

MOE

MOE1 MOE2

REZIST

PEAR

PEAR1 PEAR2

AERA

AERA1 AERA2

DECOY

DECOY1 DECOY2

Click here to see a Flickr photo set of the year in DC graffiti.

Top Creative in DC Graffiti:

JAKE3

Fill: REZIST. (Next: JAKE). REZIST’s fill-ins are always crazy colorful – and legible. Same with JAKE, who tones down the new school funk and maintains a wild style.

REZIST


MOE

Bomb: CHE. (Next: MOE). A close call but easy to pick. MOE may have more tags up, but CHE is mighty close – with bigger fill-ins and better, riskier, more visible spots. MOE tagged Adams Morgan’s mural on DC’s non-state status – an ironic, shady move to deface a message the rest of DC’s graffiti seems to be all about. Watching CHE and MOE get up this year was like watching the good guy vs. the bad guy – and here, the good guy wins.

CHE


Che5

Spot: JAKE. (Next: CHE). JAKE is up in the undisputedly best spot in DC – in the middle of the Patomac River on Georgetown’s Key Bridge. To hit the spot, JAKE had to either get a boat, or haul gallons of paint and loads of supplies under the bridge span across its huge arcs, starting at several chainlink fences directly next to the US Park Police office. JAKE’s piece is one of the most visible in the District, in a place that’s the antithesis of graffiti – squeaky clean, picture perfect Georgetown. A huge hassle, if not nearly impossible to remove. It epitomizes graffiti in a clean, simple, colorful piece that carries impressive implications in logistics and location.

JAKE5

 

51*

Stencil: RVLTN. (Next: 51). Stencil images hit the streets of DC to illuminate two big issues in DC: homelessness and political representation. Amidst the toughest economic time in decades, DC slashed funding to social services that help the homeless. Next, the 51 stencil hit corners and street boxes with a simple, clear, concise message: make DC the 51st state – no matter how our vote tips the political scales.

ParkMyHome

PEEPSPoster: DECOY (Next: DIABETIK). DECOY covered more DC walls than any other poster artist this year with a distinct style that’s easy to spot. DECOY was part of an awesome cartoon poster campaign in early December at 14th/T (already removed!) along with the next pick: Peeps. All year, poster Peeps popped up all over the place in DC.

DECOY5

Sticker: Crook. This sticker is iconic of everything about graffiti and Washington DC: free speech, politics, corruption and dissent. The sticker’s amazing wit calls attention to the fundamental issues in both graffiti and politics – and common to us all: open access, free speech, expression, opportunity, and equality.

CROOK

A full photo set of the year in DC’s graffiti is posted on Flickr.

Something missing? Leave a comment and links to pics of your favorite DC graffiti!

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